Experimental Composition as Cinematic Principle
“Telling this story of my own withdrawal, I try to show what is there to be found when one is ready to let go.”
“An interesting film creates a parallel reality to the real world,” the Swiss filmmaker notes. “It adds to our perception of reality, it reflects, it demands again and again.” Such elasticity allows Peter Liechti to be less concerned with genres at play and more with making sure that he does not suggest certain sentiments or push toward a particular political stance.
Read more in the European Documentary Magazine DOX